I have lived with this chip on my shoulder this whole decade, but White Fence doing “Allison Road” has calmed me somewhat. Years ago for AV Undercover, Cursive and Cymbals Eat Guitars covered Gin Blossoms’ “Hey Jealousy” and basically trashed the song in the open, saying that it was fun to be covering a song from a bad era of ’90s alternative rock. My home state tragically doesn’t move the most product, as it were, from the music side of things. “Allison Road” (Gin Blossoms Cover) by White Fenceįull disclosure: I’m an Arizona homer. This cover is absolutely fun, particularly for a brand of Only ‘90s Kids Whose Parents Didn’t Have Cable Will Remember millennial, but don’t get it twisted: It’s corny. I mean, did anything do more to forecast how goddamn corny Chance the Rapper would be than this? The later part of the decade saw him genuinely making music that seemed like it should be on an afterschool special, and yet the writing was on the wall the whole time. “Wonderful Everyday” (ARTHUR Theme Song Cover) by Chance the Rapper and the Social Experiment Certainly a far cry from either Fleet Foxes or Grizzly Bear, I’d take these two doing Pearl Jam any way I can get it.ĩ9. That disclaimer out of the way: My god, what a perfect marriage of two artists taking on one of Pearl Jam’s best songs, the epic growl of the open curious and observant in ways only Pecknold can be. If for some reason you HAVE found this list in the future, and it’s gone, wiped off the face of the internet, well, I’m sorry, you get a solid 99 beyond this.
#Fleetwood mac discography ascending 240p#
“Corduroy” (Pearl Jam Cover) by Robin Pecknold and Daniel RossenĪt the time of writing, this cover only exists as a 240p version on YouTube and for the life of me I cannot find an MP3 rip of a higher quality version-perhaps you reading this in the future will have better access to a better version. Cheers, and to another 100 great covers in the 2020s!ġ00. And of course there are a ton of studio recordings in the mix, including the rare but exciting album cut! I’ve included words on each below. It includes late night performances, awards shows, or tracks from live records where the recording is, to some degree, professionally mixed, and it includes internet show recordings (RIP to AV Undercover). And it doesn’t include any true “live” covers, and by that I mean cell phone next-day type footage (sorry to Boygenius doing The Killers). Little Jeans cover of Arcade Fire’s “The Suburbs.” I tried to focus on artists whose larger body of work is interesting and vital, to varying degrees. I’ll throw in a couple caveats as to how I made this list! It doesn’t include any primarily cover-only artists, or artists whose careers are indebted to a playlisted cover-I’m talking about Birdy’s version of “Skinny Love,” or like that Mr.
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While generally speaking the trend of reimagining songs as slowed down has done more bad than good (although you’ll see plenty of the contrary below), and the major-to-minor or minor-to-major move is tiresome and overplayed, if the right band or artist finds the right song, magic can happen, and I genuinely live for that magic.
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“Hurt” went from a song by a frustrated young man radiating pain to a dying old man’s swan song to the end.
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The best covers, and I mean the best, are when the track reveals something new about the original song, when a performer makes it their own to such a degree that the source material is elevated, or altered, or warped, so as to reconsider what made it good or bad or interesting in the first place. When David Berman died in 2019, for instance, it was met with professionally recorded covers, a tribute album, and live performances of his various songs within days. I’m not sure how hot a take this is, but the 2010s were easily the best decade ever for covers live covers are all over YouTube the morning after they debut, the news cycle has become steadfast in covering them ad nauseum, and they’ve quickly become a way for us to show grief en masse. I have my own rules about what makes a good cover, of course-I can’t respect cover-only artists, which YouTube has made readily present, and if you’re doing basically the same thing as the original get outta here-but God, I love a good cover.